Parity Plays: The Ghosts of Lote Bravo by Hilary Bettis

Posted by MB - March 24, 2015

Bettis Parity Play


PARITY PLAYS Reading Series Kicks off with a reading of a new play by Hilary Bettis, The Ghosts of Lote Bravo. Hilary has been a Project Y collaborator over the years.  Her play Mexico was featured in our “Feminine Mystique: 50 years Later” reading series and she was a writer/performer in the devised piece, Before & After in the New York New Playwright Festival in 2013.  We are delighted to have her compelling new play to start our Parity Plays Reading series, directed by another Project Y collaborator, Elena Araoz.

Please join us to hear this new work and to meet and discuss in an informal setting after.  All of our readings are free and open to the public.   Parity Plays Reading series will produce plays that have casts of 50% or more women, with a focus on female playwrights and a goal of gender parity in the theatre. To learn more about Parity Plays click here.

 Project Y Theatre Company presents:


By Hilary Bettis

Directed by Elena Araoz

 Monday, April 13th at 7:30pm

ART/NY 520 8th Avenue, 3rd Floor

The Bruce Mitchell Room


In Cuidad Juarez, Mexico young girls often disappear. Many turn up murdered. Juanda Cantu’s daughter, Raquel, is one of these girls. Through visions offered by La Santa Muerte, Juanda is shown Raquel’s past only to discover that her daughter had hopes, dreams and courage Juanda knew nothing about. The Ghosts of Lote Bravo is a play about great hope in the midst of relentless violence, poverty and grief.




Hilary Bettis is a playwright and screenwriter. Awards, residencies, and commissions include: DNA Series, NNPN National Showcase of New Plays, Runner-Up Nuestras Voces National Playwriting Competition, Crossing Borders Festival, NNPN/Kennedy Center MFA Workshop (The Ghosts of Lote Bravo), Lecomte du Nouy Award, NYFA Fellowship, Juilliard Lila Acheson Wallace Fellowship, O’Neill National Playwrights Conference (Alligator), 2050 Fellowship at NYTW, James McLure Fellowship New River Dramatists, Sloan/EST Commission (Dakota Atoll), John N. Wall Fellowship Sewanee Writer’s Conference, Blackburn Nomination (Mexico), PoNY Nomination, The Kilroys Nomination, Cherry Jones/Abingdon Theatre Company Grant. Finalist and semifinalist include: O’Neill NPC, the Source Festival and Orlando Shake’s PlayFest (The Ghosts of Lote Bravo), the Source Festival and BAPF (Alligator), BAPF, O’Neill NPC and Inkwell (Dakota Atoll), Red Bull Shorts Festival (The Bronze Serpent) Women’s Project Lab, New Dramatists, LMCC, Founders’ Award NYSF and the Leah Ryan Prize. Readings and workshops include: La Jolla Playhouse, Partial Comfort, Signature, Two River Theater, Juilliard, New York Theatre Workshop, New Georges, The Lark, The Flea, EST, Abingdon, Barrow Street, Barefoot Theatre Company, Pavement Group, Project Y, Great Plains Theatre Conference, Carolina Coastal University, New River Dramatists, The Actors Studio and The Aurora Fox in Denver. Productions include: American Girls (Off-Broadway at 45th St. Theater, upcoming 2015: The Edge Theater in Denver), The Mud Hole (Off-Off-Broadway F*IT Club), Two Lovers (New Georges #1MPF), Meredith and Molly (New Georges #1MPF), The Bronze Serpent (INTAR American Nightcap and Panglossian Productions), and Lala’s Love Nest #serials at The Flea. Publications include Smith & Kraus, McFarland & Company, Original Works (American Girls). Film screenings include: Williamsburg Film Festival, IFS Festival (she won best actress), Nashville Film Festival finalist (B’Hurst).


She is a member of SAG, AEA, Dramatists Guild, The Drama League, TCG, Playwrights’ Center and Fractured Atlas. She is a member of EST, Project Y’s writer group, Bookshop Workshop writer group and a New Georges Affiliated Artist. She has contributed articles to TDF Stages and She won the Smokey the Bear poetry contest at ten, and was presented with a trophy by Smokey the Bear himself. They remain friends to this day, occasionally brunching in the West Village. Hilary lives in Bushwick with a fat orange cat, plays a little violin, volunteers on the border with No Más Muertes and owns two horses she rides in both English and Western disciplines. She is currently working on a feature (The Lost Coyote) with Oscar-winning producer, Mara Kassin and recently filmed a short (The Iron Warehouse) with Laura Gomez and Cathy Curtin from OITNB. Contact: CAA. Theater – Chris Till [email protected], TV – Jacquie Katz [email protected]



Elena Araoz directs theater and opera, internationally, Off-Broadway and regionally. Productions include Mac Wellman’s Wu and Horrocks (Sleeping Weazel at ArtsEmerson), Architecture of Becoming by Kara Corthron, Sarah Gancher, Virginia Grise, Dipika Guha, Lauren Yee (Women’s Project), Li Tong Chen’s The Power (Beijing), Natalia Naman’s Lawnpeople (Cherry Lane Mentor Project), Lucia di Lammermoor (Opera North), A Midsummer Night’s Dream (Prague Shakespeare Company), Falstaff (Brooklyn Philharmonic at BAM), Latin Lovers (Glimmerglass Opera), Jonathan Miller’s La traviata (New York City Opera at BAM), Naomi Wallace’s The Fever Chart (Underground Railway Theatre), Jaclyn Villano’s The Company We Keep (Boston Playwright’s Theatre), Monika Bustamante’s Thirst: a spell for Christabel (HERE), The Price (Northern Stage) and Off-Broadway productions of two Carl Djerassi plays. Elena has worked extensively with Sir Jonathan Miller as Choreographer and Associate Director, including productions on Broadway and internationally. Currently, she serves as Associate Director with Sir Richard Eyre on Ghosts at BAM. She is a 2050 Fellow at New York Theatre Workshop, an Audrey Resident at New Georges, and a Beatrice Terry Artist-In-Residence at The Drama League where she is writing an adaptation of The Odyssey that has been commissioned by the Rose Theatre and which she will also direct: an environmentally-aware adaptation which combines commedia del arte, a live band, and 3-story tall puppets. New play workshops include Tiny People by Christopher Oscar Peña (Two River Theatre), River of Gruel by Sibyl Kempson (New Dramatists), Megastasis by Kia Corthron (New York Theatre Workshop, Yale University, New Works Brooklyn), Madame Ho by Eugenie Chan (Great Plains Theatre Conference), Obra Negra by Flavio González Mello and translated by Carmen Rivera (Lark Play Development Center’s Mexico/US Exchange), Good People by Maria Alexandria Beech with versions in both English and Spanish (Two River Theatre), and Hilary Bettis’ plays Dakota Atoll (New York Theatre Workshop), Mexico (Project Y), and Alligator (Great Plains Theatre Conference). MFA Univerity of Texas at Austin.




Project Y Theatre Company’s Parity Plays is possible through the support of NYSCA.

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2015 Reading Series: PARITY PLAYS (50% Women in Casting)

Posted by MB - March 18, 2015

Parity Plays Title


Project Y Theatre is pleased to announce our 2015 Reading Series:  PARITY PLAYS (50% Women in Casting).  Throughout the year Project Y will present 6 readings of plays with casts of 50% or more women.  With a focus on female playwrights, our series will support work that allows a greater number of women artists to participate.

Co-Founding Artistic Director, Michole Biancosino, says of the series, “These are plays with great roles for people… who just happen to be women. Rather than choosing work that deals with any particular theme this year, we decided to respond to the gender-disparity on stages across the country.”  According to Literary Manager, Lia Romeo, who reads the open submissions, “The plays in this series are all about completely different situations and people.  We wanted to give more women artists opportunities to work but without telling them what they had to write about.”  Michole agrees, “This might be our most diverse reading series yet in terms of the actual content of the plays.  I am excited to hear the range of work in Parity Plays.”  All Project Y readings are Free and Open to the Public. After each reading we serve refreshments to provide an informal and social atmosphere where audiences and artists can meet and discuss the work.


PARITY PLAYS: 50% Women in Casting

Plays with great roles for people… who happen to be women.

In the interest of increasing gender parity in the theatre, Project Y presents Parity Plays, a reading series of plays with 50% or more female casts, and focusing on female playwrights.


Readings and Dates:

APRIL 13th:  The Ghosts of Lote Bravo, by Hilary Bettis

A drama about factory worker Juanda, who lives in Juarez, Mexico, and sacrifices more and more to the saint of death to look into her murdered daughter’s past.  Directed by Elena Araoz.

APRIL 19th: The Sooner Child, by Allyson Currin

A mother and daughter discuss life, love, and dating in this romantic comedy with a very unexpected twist. Directed by Ryan Maxwell.

JUNE TBD:  Mama’s Gonna Buy You, by Chisa Hutchinson

A play about entitlement, race,  and who deserves to be a parent.

SEPTEMBER TBD: The Bridesmaids, by Melanie Marnich

A comedy about marriage, pushing forty, and finding your way to Canada to play the unlikeliest of roles… the bridesmaid.


We hope you will join us for one or all of these amazing new plays!

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Tickets On Sale Now: “TechnoPlays” Production

Posted by MB - January 9, 2015





Project Y is pleased to announce our latest new play production, TechnoPlays, a Two-Part Production of Short Plays written by members of the Project Y Playwrights Group.  This original production of 11 short plays focuses on the themes of our last reading series:  Science, Technology and Human Connection.  Performances will be held January 28-February 1 at Access Theater (380 Broadway).  Tickets range from $5 (first 5 tickets buyers) to $20 (at the door).  The first 15 online ticket buyers for each performance receive hugely discounted tickets.

Featuring plays by Sean Pomposello, Lia Romeo (PY Literary Manager), Charlie O’Leary, Max Mondi, David Meyers, Dano Madden, Julienne Hairston, Christopher Ulloth, Grant MacDermott, Barry Levey and Bob Kerr.
Directors for the plays include Melissa Firlit, Christopher Randolph, Jeremy Gold Kronenberg, Matthew Jordan, Christian Amato, Jenny Leon, and Michole Biancosino (PY Founding Co-Artistic Director).

For Tickets Click Below on the Specific Show (Part A or Part B):

PART A  (Wed 1/28 at 8pm; Fri 1/30 at 8pm; Sat 1/31 at 3pm) 

Sex Robot, by Christopher Ulloth, directed by Jenny Leon
The Squizzinator, by Bob Kerr, directed by Melissa Firlit
REKIDK, by Charlie O’Leary, directed by Jenny Leon
Dinner, by Grant MacDermott, directed by Christopher Randolph
Third Ward Scandal, by Dano Madden, directed by Melissa Firlit
Word, by Max Mondi, directed by Christopher Randolph


PART B (Thurs 1/29 at 8pm; Sat 1/31 at 8pm; Sun 2/1 at 2pm)

#hashtag, by Julienne Hairston, directed by Michole Biancosino
GarageBand for Lovers, by Barry Levey, directed by Jeremy Gold Kronenberg
Motherly Love, by Lia Romeo, directed by Michole Biancosino
Solo Show, by David Meyers, directed by Matthew Jordan
Unlimited Nights, by Sean Pomposello, directed by Christian Amato


The Project Y Playwrights Group and this Production is made possible through the generosity of the New York State Council on the Arts (NYSCA), The ART/NY Nancy Quinn Fund, and donations from our loyal Project Y patrons.

RSVP on Facebook Here

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How does Project Y do it? (Hint: the answer is You!)

Posted by MB - December 19, 2014

Each year Project Y produces innovative and exciting new plays and playwrights.  We support writers, actors, designers, and theatre-makers who have diverse voices and unique ways of interpreting the world. Project Y is a producing organization that relies on the generosity of its audiences and donors to support the years-long incubation process that gives birth… 

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TechnoPlay Reading: Justin Warner’s “A Wire in Water” 12/14

Posted by MB - December 9, 2014

Project Y Theatre Company’s 2014 Reading Series TechnoPlays: Science, Technology, and Human Connection presents: A Wire in Water by Justin Warner Directed by Sarah Cameron Sunde Cap 21 (18W18th Street) Room 605 FREE!   Project Y’s 2014 “TechnoPlays” Reading Series comes to a close this week with a reading of Justin Warner’s latest play, A Wire… 

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