Tori Keenan-Zelt writes curiosity-chasing plays that sniff out in-between spaces in big theatre to change the world. Many of them decide to be comedies. Recent: How the Baby Died (Bay Area Playwrights Fest, Ingram New Works), Seph (Araca Project, Fresh Ground Pepper, Princess Grace Finalist), Air Space (Kilroys Top 5, Ingram New Works), Truth/Dare (Project Y, NYITA Nominee, Best Ensemble Pittsburgh Fringe, Nashville Top 10), How to Be a Widow (Ellie Award), Egypt Play (PWC Mentorship), Episode #121: Catfight! (Yale Cabaret). Affiliations: The Lark, The Playwrights Center, New Georges, EST Playwrights Unit, Fresh Ground Pepper, & the Dramatists Guild. She has written for Colonial Williamsburg’s Emmy Award-winning PBS education series and is an Emmy nominee. AB, Harvard. MFA, NYU Tisch Asia (Singapore).

Tori Keenan-Zelt

Tori Keenan-Zelt writes curiosity-chasing plays that sniff out in-between spaces in big theatre to change the world. Many of them decide to be comedies. Recent: How the Baby Died (Bay Area Playwrights Fest, Ingram New Works), Seph (Araca Project, Fresh Ground Pepper, Princess Grace Finalist), Air Space (Kilroys Top 5, Ingram New Works), Truth/Dare (Project Y, NYITA Nominee, Best Ensemble Pittsburgh Fringe, Nashville Top 10), How to Be a Widow (Ellie Award), Egypt Play (PWC Mentorship), Episode #121: Catfight! (Yale Cabaret). Affiliations: The Lark, The Playwrights Center, New Georges, EST Playwrights Unit, Fresh Ground Pepper, & the Dramatists Guild. She has written for Colonial Williamsburg’s Emmy Award-winning PBS education series and is an Emmy nominee. AB, Harvard. MFA, NYU Tisch Asia (Singapore).